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 Frederick Fisher
  • Pages: 224
    • Many in colour
  • Size: 8.5"x11"

 Among the younger generation of avant-garde architects in Southern California today, Frederick Fisher has worked most closely with the art community. His extensive list of projects includes studios for artists and photographers, primarily in Los Angeles and the beach communities of Santa Monica and Venice; collaborations with artists; and museums, galleries, numerous private lofts and houses, and live/work galleries, in California, New York, France, buildings Tokyo. With their neutral colors and and forms, Fisher's spaces are notably recognized as complementary yet unobtrusive backdrops to works of art and the patterns of daily living. His architecture is at once sparse and substantial, frequently emphasizing views to the outside and the fluctuating patterns of natural light filtering through windows and skylights. His use of utilitarian materials such as colored concrete blocks and raw wood expresses an ambivalent relationship between rootedness and impermanence that is particularly evident in southern California.

Fisher has organized this first monograph of his work into three thematic sections, "Art Space," "Dwelling Space," and "Spiritual Space," each containing a short essay and descriptions of individual projects, illustrated with photographs, plans, and drawings. Among the thirty works in this volume are Fisher's clean light-filled structures for the L.A. Louver Gallery in Venice, California; P.S.I, The Institute for Contemporary Art in New York; houses in California, Idaho, and Pennsylvania; a Buddhist monastery in California; and experimental projects such as and Earthquake Bed and a solar crematory.

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